Global pop icon Taylor Swift has reportedly expressed her displeasure with her boyfriend, Kansas City Chiefs’ star Travis Kelce, following his behavior at the Super Bowl celebration.

Why did you want to Embarrass me before my People, Is uncalled for, TAYLOR SWIFT Sent 5 Clear message to Travis kelce Taylor Swift Sends 5 Clear Messages to Travis Kelce About Been Drunk at the Super Bowl Celebration

Sources close to Swift have revealed that she sent five clear messages to Kelce regarding his drunken antics during the festivities.

In her messages, Swift is said to have conveyed her disappointment with Kelce’s behavior, emphasizing that his actions embarrassed her before their peers and the public.

She stressed that such behavior is uncalled for, especially considering the importance of the occasion and the spotlight on the couple during the Super Bowl celebration.

As the couple navigates this challenging moment, fans are left speculating about the impact of Swift’s messages on their relationship.

With both Kelce and Swift known for their strong personalities and unwavering commitment to their respective careers, the aftermath of the Super Bowl celebration incident remains a topic of interest and discussion among fans and media alike.

Candace Owens Labels Taylor Swift ‘Most Toxic Feminist,’ Accuses Pop Icon of ‘Manipulating Her Audiences

Candace Owens Labels Taylor Swift ‘Most Toxic Feminist,’ Accuses Pop Icon of ‘Manipulating Her Audiences

During a recent event hosted on Daily Wire+, Candace Owens, a prominent figure at the conservative media outlet, took a bold stance against pop icon Taylor Swift, labeling her as the “most toxic feminist that’s ever existed.”

Candace Owens Labels Taylor Swift ‘Most Toxic Feminist,’ Accuses Pop Icon of ‘Manipulating Her Audiences

The statement, which emerged amid discussions with colleagues including Matt Walsh, Ben Shapiro, and others, not only highlighted Owens’ disdain for Swift’s musical narratives and business maneuvers but also ignited a broader conversation about feminism and cultural influence.

Owens’ critique centered on Swift’s historical tendency to weave her personal experiences with ex-partners into her music, as well as her highly publicized struggle to reclaim her music rights from Scooter Braun, who acquired Big Machine Label Group in 2019. Owens accused Swift of manipulating her fanbase to navigate business disputes, stating, “She tries to manipulate her audiences to get out of deals and contracts, she’s totally insane.”

“She’s the most toxic feminist that’s ever existed,” Owens added.

The characterization of Swift’s relationship with Kansas City Chiefs tight end Travis Kelce as a mere “business move” further exemplified Owens’ skepticism towards Swift’s authenticity, both in her personal life and her feminist advocacy. Owens specifically took issue with Swift’s past acknowledgment of Lena Dunham’s influence on her understanding of feminism, suggesting that Swift has commodified the feminist movement for personal gain.

While Walsh, another Daily Wire host, concurred with Owens’ general sentiment towards Swift, he expressed reservations about labeling her the “most toxic feminist ever,” indicating the complexity and diversity of feminist discourse in contemporary culture. Walsh advocated for a more constructive approach from conservatives, suggesting the development of counter-cultural contributions rather than mere criticism.

The discussion also ventured into the realm of political influence, with conservatives expressing concern over Swift’s potential endorsement of President Joe Biden. Former President Donald Trump, in particular, claimed credit for legislation beneficial to artists like Swift, using it to argue against the possibility of Swift’s disloyalty in endorsing Biden.

Owens’ remarks reflect not only a personal critique of Swift but also underscore a broader cultural and political debate surrounding feminism, celebrity influence, and the role of artists in shaping public discourse. As the conversation unfolds, it highlights the polarizing nature of Swift’s public persona and the diverse interpretations of feminism in today’s society.